A nature morte made of obsolete technologies is brought back to life through the projection of a virtual scenography. The combination of these seemingly unrelated, physical and virtual elements transforms this composition into a re-animated exquisite corpse.

The confluence of augmented reality and antique magic tricks in this work, suggests a meeting of past and future in the constantly mutating instant.  Other nods to history include iconography which reminds of the Dutch and Flemish Vanitas, still life paintings from 16th & 17th centuries, aimed at capturing the passage of ephemeral elements, such as time and light. 

As in other works of the series, the animated composition is approached with a musical sense of rhythm and balance; both music and light, as abstract artforms, are best appreciated over time.